Standards and Sky Flats
Since the filter transmission may vary at different FPZ settings,
it may be a good idea to obtain a separate flux standard mosaic at
each of the FPZ values used on the target. For example, one could
observe a 5-point jitter pattern at each of the FPZ settings; with
these separate mosaics (one per FPZ value) target frames can then be
individually calibrated before "continuum" images are subtracted
from "line" images. To obtain separate mosaics, nest the 5-point
offset iterator within the FPZ iterator in your ORAC-OT sequence.
Then reduce the data with BRIGHT_POINT_SOURCE. This will use a
pre-obtained flat (the same flat used by the FP recipes; it must be
obtained through the same NB filter) and will produce separate
mosaics named "_mos_0.sdf", "_mos_1.sdf" and "_mos_2.sdf". The
template sequence "Flux Standard for FP" in the ORAC-OT UFTI+FP
template library may be copied and edited for this purpose.
Choosing a standard can be tricky. As a rough guide, a good
signal (one to two thousand counts) should be obtained on a 7-8th
magnitude A-type standard star with UFTI and the FP in 5 seconds
integration. Note, however, that the UKIRT Faint standards are
generally too faint (10th-13th mag.) and the stars in the
Bright-star catalogue are too bright (4-6th magnitude)! Observers
should probably use a star from the Elias
"Faint" standards list (1982) or the catalogue of Maiolino,
Reike and Reike (1994); both lists are taken from the IRTF web
pages. Most of these stars are 7-8th magnitude at K - just right for
the FP!
What about Sky Flats? Getting a few hundred counts on the array
with the FP is very difficult. Even with HiGain mode, a two-minute
exposure during the night will give only a hundred counts or so;
this is barely background limited, and certainly not enough for a
"noise-free" flat-field. Observers have two options. The first is to
use much longer exposures: the "make skyflat for FP" sequence in the
Template library is set up to obtain four dithered sky frames (with
FPZ set to the same on-line, off-line(blue), on-line and
off-line(red) values as used on the target) with a 500sec
exposure time. Alternatively, it is possible to get a
good flat at Sunrise/Sunset. Recent observations indicate that a
60sec HiGain exposure within 5-10mins of sunset (with the telescope
near zenith) will give 500-1500 counts on the array. Be prepared;
the sun sets/rises very quickly, so you'll only have 20-30mins
before the opportunity has passed! Also, please be careful not to
"fry" the array - latency/persistence effects, resulting in
rectangular bias structures across the array, could hamper
subsequent observations. These
test observations should give you some idea of exactly when to
take your blank sky exposures. Remember to "flush" the array with
lots of short dark exposures after any observations that involve
high flux levels (e.g. sky flats, lamp observations [during
alignment] or standard star observations).
And lastly, remember that you must obtain sky flats before
you observe your target and/or standard star if the FP DR recipes
are to work.
And finally, a few (more) things to remember...
1. The alignment procedure described above measures the lamp
signal near the centre of the FP field-of-view; this region will be
tuned to your chosen wavelength; Note, however, that there is a
phase shift towards the edge of the array, so you should keep your
jitter-pattern small!
2. For extra-galactic sources where line emission profiles may be
broad, take care to set the FPZ values for off-line (continuum)
images at sufficiently large offsets so that the FP lorentian
profile (FWHM ~ 100 FPZ steps, or ~ 400 km/s) doesn't overlap the
broad source line-profile. Off-line FPZ values that are 300 or 400
steps more/less than the on-line setting should be used.
3. Consider the blocking-filter profile when choosing off-line
FPZ settings. The filter transmission may drop off at blue or
red-shifted FPZ settings, particularly if you are looking at
extra-galactic sources where lines that are shifted into a filter
bandpass don't coincide with the centre of the filter profile. The
safest thing to do is observe a flux standard at the same FPZ
settings (on and off-line) and flux-calibrate the target continuum
and line images before you subtract the former from the latter.
4. Beware of latency (and rectangular bias structure) after
alignment with the arc lamp. Be prepared with a sequence of 10 short
(4sec) darks; this may then be used to flush the array before you
embark on lengthy target exposures.